The RGB is more subtle in this, but it is getting closer to the feel I was imagining. The idea here is about how we experience life now through Red, Green & Blue lights. The cassette represents old technology, with the shortcomings and ephemeral quality of recording our efforts.
The tools and bones surrounding the scull represent traditions and historical ways of making things. I had been looking at art of the Odd Fellows and their pennants and flags and cryptic symbolism. I thought I might start with that and evolve it into my own cultural vernacular for this future society.
I am still not sure what to do with the contract below the skull. I want it to be an agreement of some kind.
Ascent / Descent of man. Resourcefulness in regards to dreams and solutions to difficult challenges.
OK, flying over land. My goal was to have some textural patterns that would clearly be agricultural. This is still way-in-progress. My other intent was the Monopoly™ houses. More resolved, but will be in the additional areas surrounding the flying man.
More thought about man’s ability to do things that are amazing to us — but only as far as we can see. We are amazed too easily.
The houses will be symbolic of all culture, building, homes, lifestyles.
There seems to be some potential for experimenting with combinations of different rhombus polyptych’s.
I have been looking at how this may work into a much larger statement. The idea being that I have more than one individual piece that can be displayed in many potential forms.
A type of narrative that is more in keeping with how the world is perceived to us—a tapestry of seemingly-unconnected events.
The thought that there are events happening around us in a many-faceted cacophony which we pass through like a needle through fabric. We are affected by the events immediately around us and ripples of events surrounding us in radiating intersections.
Jennifer Bartlet / Elizabeth Murray / Jim Shaw / Mark Bradford / Tom Sachs / Robyn O’Neil
“You have to follow the work where it wants to go—it’s not about some little skill…”~ Jackie Winsor
…Thinking that is not grounded or in touch in the realities of the present.
The proportion and symbolic silhouette is that of a stop sign. Hopefully there is enough graphic alignment with the original intent of the shape to be recognizable — but this with an entirely different conclusion. An entirely different suggestion is in the content of this message.
Take the expansive space of Texas with its iconic shape, then overlay into that the most dense city in the world. An experiment of a densely populated the area and let’s see what comes of this.
East & West collide. Many notions of both places can be construed. If you were to take these opposing mindsets and work them together what could happen?
Thinking about the density of Tokyo and what it would be like to reduce our overall land footprint in the the United States to a microscopic level. I chose 10 locations to more than equal our population with a 25 year estimated advance in growth.
All living areas, cities that already have a dense population that can be migrated into the most efficient living centers – ziggurats that employ gardens and parks in proportion to each tower. With commercial areas for meeting and transportation centers to collect people at HyperLoop + This one too, hubs to easily get to specific work and recreational zones located around the U.S.
We currently have developed less than 5% of our land, but with focused density we could cut this by a factor of 100. Then use more open space for recreation and leisure. Also, by focusing our
agricultural and manufacturing to more efficient locations and geographic relationships we would gain a very powerful use of land.
We can start to be more efficient with how we handle our water, energy needs, food, living environment, daily regimen of exercise, human interaction and social connectedness.
Babel 2.0, Acrylic on Canvas, 56x59in, 2016-2020 - Jeff Del Nero
“If Necessity is the Mother of Invention, Then is Technology the Father of Dependence?”
With the continued use of the rhombus shape, I am questioning whether the shape lends itself to the idea of an underlying structure of science and math as an interlocking foundation for the inventive attempts at connecting technologies. A form that gives us a look at a world where people strive forward towards each other with the hope that each lunge will make us incrementally more self-sufficient while seeking to be further distanced from a consideration of the unseen.
Flower Pepper Gallery Artificial Realities curated by G. James Daichendt Opening: Saturday, January 23rd, 6:30 pm – 9:30 pm Exhibition: January 23rd – February 23rd, 2016 To Purchase By deconstructing a normative understanding of our surroundings – we aim to create a customized alternative reality. Reflecting on southern California, these objects collectively force us to … Read more
TEXASWORLD Plan
Acres in Texas: 171,904,640
World Population: 6,602,224,175 = 38.5 people per acre. Density Goal: 10 dwellings/acres = 3.8 people per dwelling.
If the world was turned into a Monopoly® Game. How long would it take to become unbalanced again? Can we make everything even? Is equality a possibility? Let’s give everyone the same access to food, shelter, etc., what would happen?
I mapped the 150 most populated world cities into the map of texas at 1″ = 20 miles. I found that so many cities have such a small footprint, while the largest cities in China occupy such large swatches of land it overwhelmed some of the space in the map. It was quite a contrast to see in front of me.
The exercise of connecting the cities with the white constellation reminds me of an internet that doesn’t have to follow any particular geographical order, but can jump randomly in any direction.
The idea of having the iconic shape of Texas as the first thing you see give an impression of one type of mindset. In many ways the shape of Texas is as recognizable as the U.S. map. Texas also is an strange representation of a “typical American” so it seems appropriate to use this shape as a generalization of our society.
Also, Texas having flown under six different country flags also seems to be a kind of reminder of the history of the state.
Two drawings sold to some great friends. Thank you for thinking of my work as a gift. Albeit a very special event. Happy Birthday Nina! I am so glad these will be with your family. Andrew, a very heartfelt “thank you” for wanting to acquire these for Nin.
Both of these works share a particular use of metallic and interference paint. This changes based on the lighting, causing some reflectivity of the parts where that paint exists. The paint that changes brings an ethereal quality to the work, this makes me think of how quickly light changes around us.
An oxymoron, The attraction is hidden. A decoy that would lead an unsuspecting duck to its demise. The surface now being camouflaged obscures its intent. This being both something to attract and hide is a curious combination.
It’s a mixed-metaphor and begs a question of the purpose. Many times we are attracted to dangerous situations and do not see them coming.
The camouflage style being of the digital style adds another layer to the idea and the hand-painted application can bring yet other layers of questioning.
The great pyramids of Giza, Khufu, Cheops. B-2 Stealth Bomber. 1942. Math Lesson, A Tale of Two Cities, thinking about afterlife, and ways to maneuver the great beyond. Thinking about vehicles in that process.
“If I loose my grip, will I take flight?” a lyric from a Bruce Cockburn song called Strange Waters.
This is quite wonderful double entendre regarding holding on to things that either hold you down or potentially keep you safe vs the idea of hanging on to a branch on a cliff, or an airplane wing that once you have let go, you will surely die.
The imagery here is about hands, arms, etc. They are also of different colors. This is intentional and supposed to call you to compare.
Both scenarios are different intentionally too.
The imagery here is about hands, arms, etc. They are also of different colors. This is intentional and supposed to call you to compare.
The imagery here is about hands, arms, etc. They are also of different colors. This is intentional and supposed to call you to compare.
I have this thought that has been progressing and I am starting to get more of a positive feeling about the combination of figures. A lot of talk with this work has been centered around the contrast of the two scenes. Thoughts about location and activity. How we are not naturally able to coexist. While there’s the aspect of work and war, there is also the concept of how work vs. play can be derived here too.
This canvas is a work in progress utilizing some of the symbols from my “anti-flag” which I am now considering more of a “trigger” flag. Flags tend to be some thing people are for – this flag is about what people are against.
The murmuration is a way of capturing an initially beautiful image that gets progressively less beautiful when looked at closer.
These are in progress. I have somewhat of an idea that is not quite ready yet, but I am still working on this concept. To me it’s like a poem of words that we use in an automatic way. I think it can be a fun idea to think that our lives are managed in a “remote” kind of interaction.
We sit in one place and try to make things happen in another place. Using this bit of technology to assist us. This is our phone or our computer that becomes an extension of us. Although, many times there are not buttons for the things we wish could happen. Or events that we cannot control or undo.
My goal is to have the surface of this allude to life. The worn, random effects of living through life. The inevitable wear-and-tear that happens to us.
Because UX (user experience) is important to us in our daily lives, and my job many times is largely associated with a user’s experience, I wanted this to be less user friendly; on/off buttons are randomly placed in the midst of banks of buttons. Also, purposely dis-organizing usage, so it would be work to locate the correct button for the desired result. Chances for errors are increased.
I have been thinking about what it would look like to combine a bunch of trigger symbols into one flag that might summarize many “anti-sentiments.” It really started when observing